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刑警邰林偶遇自杀女孩刘云，急忙上前施救。刘云告诉他，因男友欺骗自己的感情，她已结束其生命，但后来的结果却是个令人哭笑不得的闹剧。原来刘云是个话剧演员，为体验生活出来找灵感，邰林对她既生气又喜欢。几天后，邰林如约来到老地方见面，刘云央他帮忙寻找曾经救过自己命的男人白驹。由于职业习惯，邰林对刘云的身世也做了一番调査，知道她没有父亲。又过一段时间，刘云带邰林一起去见自己的母亲李文竹，此时李文竹神情恍惚，已不谙世事。通过调査，邰林发现白驹与多年前的一桩凶杀案有扯不清的联系，邰林陷入苦闷之中，他不知刘云与白驹是什么关系，在偶然看到的一份杂志上，他推断出白驹就是刘云的父亲。。Herbert Vesely was one of the promises for a new German cinema already in the 50's, but after the 60's his star was already dimmed. He made a small number of films in the 70's and 80's, all non too good. This biography of Egon Schiele, one of the most important Austrian artists, is an example of the pretensions and emptiness of a Vesely-film of later date. The life of Schiele is presented here as a puzzle| well, Vesely thinks that Schiele's life was a puzzle: the core of the story is centered around the famous 1912 pornography trial and using this as base the film shows fragments of past and future. The problem is that it never becomes a unity and that the order of scenes and sequences seems to be at random: a cut-and-paste job that could have had any other result. Indeed, after seeing it twice I am almost convinced of it that a unsatisfactory linear thought-out film was changed into the puzzle in the editing room. Egon Schiele was an enigmatic man, but not a total puzzle, and this film does not bring him any closer. The films also fails in conveying the eroticism and meaning of the Schiele's paintings: the camera watches and glides over the models without any understanding of Schiele's intentions, we only see beautiful naked bodies. If interested in Schiele, you better buy a book with his works in stead.。